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Couchant Lion With Head Raised Marble Statue - 125cm

$18,84200
FREE Worldwide Delivery
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  • Handmade to Order3–4 weeks production, by our artisans
  • Premium Natural MarbleSourced globally, not effect or faux
  • Full CustomisationSize, marble type, bespoke commissions
  • Free Worldwide ShippingSea freight included
Honey-amber marble lion couchant on a thick slab, head lifted and turned out
Couchant Lion With Head Raised Marble Statue - 125cm $18,84200
Description

A lion lies couchant with its head lifted and turned to one side, the mane cut in long flowing waves that sweep back from the brow and fall in a deep fringe at the throat. The forelegs are stretched out ahead and the tail is laid along the flank. It rests on a thin rectangular slab. The marble is a honey-amber, polished to a soft translucent sheen with cream mottling through the mane. The two versions are not the same carving: one lies with the forepaws flat, the other sets a forepaw on a sphere.

Cutting Deeper Because the Stone Glows

A honey-amber marble is slightly translucent. Light does not stop at the surface - it enters the stone, scatters a little way inside and comes back out, which is what gives the piece its glow and is also a real problem for the carver. Shadow is what makes carving legible, and in a translucent stone shallow shadow simply fills with light from underneath and disappears. So every cut on this lion is taken deeper than the same cut would be on a white marble: the mane grooves, the throat fringe, the line of the lids and the separation of the toes are all exaggerated relative to a matte stone, and the carver checks the work in daylight rather than under a workshop lamp, because the effect changes with the light.

The translucency is the point of this piece, and it only shows when light comes across the stone rather than straight at it. Set it where it gets low sun - an east or west aspect, a terrace that catches the end of the day, a windowsill-height ledge indoors - and it will glow through the thinner parts of the mane and along the raised muzzle. In flat overhead light or deep shade it reads as a plain warm beige and the whole effect is lost. At 125cm along the slab it sits at about knee height, so it is looked down on, and the lifted head is cut to still read from there.

A Stone That Wants Raking Light

Twelve to fourteen weeks. The slab is cut first and the animal roughed lying on it. The head is set early, with spare stone at the throat, because it is both lifted and turned and a couchant lion has very little neck to find that in. The forelegs are then run out ahead of the mass and left thick until the mane behind them is done. The mane is worked outward to inward and cut deliberately deep, and the throat fringe is undercut hard for the same reason - a translucent stone needs the extra depth to hold its shadow. The polish is brought up by hand to a soft sheen rather than a full gloss, because a mirror finish would reflect light off the surface instead of letting it into the stone. Nothing is pinned or filled. Our main studios are in the UK (Birmingham) and Dubai, with additional global workshops. Around 1,140kg in one piece, moved by gantry and bedded onto a prepared concrete pad.

Further couchant lions appear in animal sculptures, and translucent stone in marble sculptures.

Specification
Height 125cm
Base Included
Material Hand-Carved Natural Marble
Shipping & Returns

Every sculpture at Giant Sculptures is handmade to order, then shipped worldwide free of charge. Below is everything you need to know before you order, and what to expect after.

Production Time

Every sculpture is handmade to order by our artisans — we do not mass-produce.

  • Standard sculptures: approximately 3–4 weeks from order confirmation.
  • Bespoke commissions (custom sizes, finishes, or fully custom designs): approximately 5–6 weeks from design sign-off.

Production time is separate from delivery time.

Free Worldwide Shipping

Shipping is free worldwide on every sculpture, regardless of destination.

  • Sculptures under 50cm — shipped by air freight. Typical delivery 1–2 weeks after production is complete.
  • Sculptures 50cm and above — shipped by sea freight. Typical delivery 6–8 weeks after production is complete.

For larger sculptures where faster delivery is needed, air freight is available at additional cost — contact us before ordering for a quote.

All sculptures ship in reinforced protective crating, fully insured to purchase value.

Delivery to Your Address

Delivery is to the door or curbside at your shipping address.

For larger sculptures shipped by sea freight, the carrier will contact you in advance to arrange a delivery window. Please ensure someone is available to accept the delivery and that the property has suitable access for the size of the piece.

Once the sculpture arrives, you are responsible for positioning it in its final display location. For larger or heavier pieces, we recommend arranging two people (family, friends, or a local moving service) to help with placement.

International Orders & Customs

For orders shipping outside the United Kingdom, any customs duties, import taxes, or local fees at your destination country are the responsibility of the customer. These charges are set by your local authority and are not included in our shipping cost.

If you have questions about customs for your specific country, contact us before ordering and we can advise on typical charges for your region.

30-Day Returns

We accept 30-day returns on sculptures in original condition and original packaging, subject to our Terms & Conditions.

To start a return, contact us within 30 days of receipt. Return shipping for change-of-mind returns is at the customer's cost.

Bespoke and custom-commissioned pieces are non-refundable once production has started, as they are made specifically to your specification.

Damage in Transit

Every sculpture ships fully insured. In the unlikely event of damage during transit:

  1. Report the damage within 48 hours of delivery.
  2. Provide clear photographs of both the damage and the packaging.
  3. We arrange collection and either replacement or full refund at no cost to you.

Lifetime Guarantee

Every sculpture carries a lifetime guarantee against finish defects under normal display conditions, subject to our Terms & Conditions.

This covers manufacturing defects, premature finish degradation, and structural failures under normal display. It does not cover damage caused by accidents, misuse, inappropriate environments (for example, an indoor-only sculpture placed outdoors), or modifications made after delivery.

Questions Before You Order?

If you have questions about shipping, customs, delivery timing, or anything else before you order, our team is here to help. Contact us via WhatsApp, email, or phone, and we'll respond within 24 hours.

A detailed white sculpture of a winged lion with its mouth open in a roaring posture. The lion has a flowing mane and intricately crafted wings, set against a plain light background.

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Our sculptures are crafted from the finest natural marble, celebrated for its unmatched elegance, durability, and unique patterns. Each piece is a masterpiece of nature, ensuring no two sculptures are the same.

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Two large, black bear-shaped sculptures stand indoors near a window with a view of a yard. One sculpture is in the foreground with its back to the viewer, and the other faces forward, creating a mirrored effect. Trees and a chair are visible outside.
A shiny metallic bear sculpture stands on the corner of a modern buildings patio, mirrored by another similar black figure in the foreground. The area features minimalistic architecture with large glass windows.
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Description

A lion lies couchant with its head lifted and turned to one side, the mane cut in long flowing waves that sweep back from the brow and fall in a deep fringe at the throat. The forelegs are stretched out ahead and the tail is laid along the flank. It rests on a thin rectangular slab. The marble is a honey-amber, polished to a soft translucent sheen with cream mottling through the mane. The two versions are not the same carving: one lies with the forepaws flat, the other sets a forepaw on a sphere.

Cutting Deeper Because the Stone Glows

A honey-amber marble is slightly translucent. Light does not stop at the surface - it enters the stone, scatters a little way inside and comes back out, which is what gives the piece its glow and is also a real problem for the carver. Shadow is what makes carving legible, and in a translucent stone shallow shadow simply fills with light from underneath and disappears. So every cut on this lion is taken deeper than the same cut would be on a white marble: the mane grooves, the throat fringe, the line of the lids and the separation of the toes are all exaggerated relative to a matte stone, and the carver checks the work in daylight rather than under a workshop lamp, because the effect changes with the light.

The translucency is the point of this piece, and it only shows when light comes across the stone rather than straight at it. Set it where it gets low sun - an east or west aspect, a terrace that catches the end of the day, a windowsill-height ledge indoors - and it will glow through the thinner parts of the mane and along the raised muzzle. In flat overhead light or deep shade it reads as a plain warm beige and the whole effect is lost. At 125cm along the slab it sits at about knee height, so it is looked down on, and the lifted head is cut to still read from there.

A Stone That Wants Raking Light

Twelve to fourteen weeks. The slab is cut first and the animal roughed lying on it. The head is set early, with spare stone at the throat, because it is both lifted and turned and a couchant lion has very little neck to find that in. The forelegs are then run out ahead of the mass and left thick until the mane behind them is done. The mane is worked outward to inward and cut deliberately deep, and the throat fringe is undercut hard for the same reason - a translucent stone needs the extra depth to hold its shadow. The polish is brought up by hand to a soft sheen rather than a full gloss, because a mirror finish would reflect light off the surface instead of letting it into the stone. Nothing is pinned or filled. Our main studios are in the UK (Birmingham) and Dubai, with additional global workshops. Around 1,140kg in one piece, moved by gantry and bedded onto a prepared concrete pad.

Further couchant lions appear in animal sculptures, and translucent stone in marble sculptures.

Specification
Height 125cm
Base Included
Material Hand-Carved Natural Marble
Shipping & Returns

Every sculpture at Giant Sculptures is handmade to order, then shipped worldwide free of charge. Below is everything you need to know before you order, and what to expect after.

Production Time

Every sculpture is handmade to order by our artisans — we do not mass-produce.

  • Standard sculptures: approximately 3–4 weeks from order confirmation.
  • Bespoke commissions (custom sizes, finishes, or fully custom designs): approximately 5–6 weeks from design sign-off.

Production time is separate from delivery time.

Free Worldwide Shipping

Shipping is free worldwide on every sculpture, regardless of destination.

  • Sculptures under 50cm — shipped by air freight. Typical delivery 1–2 weeks after production is complete.
  • Sculptures 50cm and above — shipped by sea freight. Typical delivery 6–8 weeks after production is complete.

For larger sculptures where faster delivery is needed, air freight is available at additional cost — contact us before ordering for a quote.

All sculptures ship in reinforced protective crating, fully insured to purchase value.

Delivery to Your Address

Delivery is to the door or curbside at your shipping address.

For larger sculptures shipped by sea freight, the carrier will contact you in advance to arrange a delivery window. Please ensure someone is available to accept the delivery and that the property has suitable access for the size of the piece.

Once the sculpture arrives, you are responsible for positioning it in its final display location. For larger or heavier pieces, we recommend arranging two people (family, friends, or a local moving service) to help with placement.

International Orders & Customs

For orders shipping outside the United Kingdom, any customs duties, import taxes, or local fees at your destination country are the responsibility of the customer. These charges are set by your local authority and are not included in our shipping cost.

If you have questions about customs for your specific country, contact us before ordering and we can advise on typical charges for your region.

30-Day Returns

We accept 30-day returns on sculptures in original condition and original packaging, subject to our Terms & Conditions.

To start a return, contact us within 30 days of receipt. Return shipping for change-of-mind returns is at the customer's cost.

Bespoke and custom-commissioned pieces are non-refundable once production has started, as they are made specifically to your specification.

Damage in Transit

Every sculpture ships fully insured. In the unlikely event of damage during transit:

  1. Report the damage within 48 hours of delivery.
  2. Provide clear photographs of both the damage and the packaging.
  3. We arrange collection and either replacement or full refund at no cost to you.

Lifetime Guarantee

Every sculpture carries a lifetime guarantee against finish defects under normal display conditions, subject to our Terms & Conditions.

This covers manufacturing defects, premature finish degradation, and structural failures under normal display. It does not cover damage caused by accidents, misuse, inappropriate environments (for example, an indoor-only sculpture placed outdoors), or modifications made after delivery.

Questions Before You Order?

If you have questions about shipping, customs, delivery timing, or anything else before you order, our team is here to help. Contact us via WhatsApp, email, or phone, and we'll respond within 24 hours.